Here, the all female combatants have at each other with gusto, then when the weapons are released things get hysterically over the top as heads are cleaved and faces spiked.
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Anderson consistently tries to emulate his hero James Cameron by attempting to write roles for strong female leads, but always misses the point by leering over them in scant or skin tight clothing, but there are no such pretentions here. Though my cinematic nemesis Paul WS Anderson retains a story contributing credit, the difference between this and most of his directorial efforts is that there are no pretensions to aspire to anything above B-grade action. In Inferno that concept remains, only this time… it involves women. In Death Race 2, the majority of the action involved hand to hand combat between male inmates, with weapon-releasing pressure pads to spice things up. If you ever thought that the chicks in chains genre was a relic of the past and that the outdated and dubiously voyeuristic spectacle of women attacking each other had run its course, then think again. The fight scene may be a little too quick on the edits, but it hardly matters because another ten minutes later, and it’s time for… Navigator Wars! This year The Last Stand and Bullet To The Head have already redressed the balance, with the stars of both bringing back their unique cinematic movement after all, Arnold Schwarzenegger walloped Bennett, Richter, everyone in The Running Man and even the Predator, while Stallone had the punchfest franchise that was Rocky, as well as going head to head with the mighty Wesley Snipes in Demolition Man – and that’s just a fistful of examples. So what better way to review the film than to highlight the more gloriously bonkers moments that perpetuate the it… Exposition through fist fightsīack in the 80s, any self-respecting action flick had a plethora of punch ups, especially at the film’s climax, but sadly it was a trend that faded away. While Death Race 2 made every effort to build up the new character of Carl ‘Luke’ Lucas (played by Luke Goss), while introducing his own story arc, Inferno centres almost entirely on action and makes absolutely no apologies for it.
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Thankfully, Inferno is just as much B-movie fun, sticking to the traditional sequel convention of being bigger, louder and considerably more insane. Chances are that if you’re reading this, then you’re already a convert to the ways of the Death Race franchise, so what you’ll probably want to know is how the new film, Death Race: Inferno, holds up compared to part two.